Sound and Fury Signifying Nothing: ‘Women Laughing Alone with Salad’ at Shotgun
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
Angie Thomas’ best-selling novel becomes a hypocritical melodrama that exploits BlackLivesMatter.
Awkward tonal shifts and a jagged narrative sink this winner of the 2015 Pulitzer.
One of the most volatile events in US history is the backdrop for an ultimately toothless story at the Aurora.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
An all-Asian cast empowers this hilarious satire of White privilege theatrical dramas. Only one fatal flaws keeps it from perfection.
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism.
If White privilege and MAGA hats were movies, this would be their BIRTH OF A NATION.
Though the script is over-packed with characters, the combination of great direction, performances, and tech make this another winner for Berkeley Playhouse.
Berkeley Playhouse pulls out all the stops for Disney’s version of Edgar Rice Burroughs’ most famous character.
The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.
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