The mixed bag of this year’s entries range from “excellent” to “horrible” and every shade in-between.
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Originally posted on San Francisco Theater Pub:
Charles Lewis III, a perspective on perspective. “[W]hat is it that constrains the individual to fear his neighbor, to think and act like a member of a herd, and to have no joy in himself?” – Friedrich Nietzsche, Untimely Meditations I…
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