The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Angie Thomas’ best-selling novel becomes a hypocritical melodrama that exploits BlackLivesMatter.
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.