Looking back at the two years (and counting) of pop culture during pandemic purgatory.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Angie Thomas’ best-selling novel becomes a hypocritical melodrama that exploits BlackLivesMatter.
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.
Want to know why Black people don’t trust police? Ask a Black person… like me.