Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.
The abundant flaws of Hellman’s script are made all the more apparent in Berkeley Rep’s production.
Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.
Although the script veers into cliched (if not racist) territory, strong performances and lavish set design save Berkeley Playhouse’s production.
Shakespeare and sexual politics collide in Cal Shakes’ version of one of The Bard’s infamous “problem plays”.
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.
Berkeley Playhouse pulls out all the stops for Disney’s version of Edgar Rice Burroughs’ most famous character.
Fine acting and great Berkeley Rep production values can’t save Branden Jabobs-Jenkins’ God-awful script.
The sexual politics of The Bard’s gender-bending comedy receive an uneven interpretation from Cal Shakes.