Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
The beloved children’s book makes for a creative (if wildly uneven) musical from PigPen.
Caryl Churchill’s incendiary piece gets a gripping new production from the ACT.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
Stephen Schwartz’s musical fantasia gets a rousing production at the Playhouse.
One of the most beloved shows of all time gets a rousing production at the Berkeley Playhouse.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
Awkward tonal shifts and a jagged narrative sink this winner of the 2015 Pulitzer.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.