No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
Lucy Thurber’s latest is the sort of ill-thought-out treatise on Affirmative Action you’d expect from Fox News.
Young Jean Lee’s latest is only an hour, but it manages to dismantle a centuries of popular opinions about Christianity.
An all-Asian cast empowers this hilarious satire of White privilege theatrical dramas. Only one fatal flaws keeps it from perfection.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found.
Clean living and technological harmony collide in a not-quite-perfect script from Christopher Chen.
A uniquely Asian-American immigrant tale is the focus Crowded Fire’s touching new production.