Looking back at the two years (and counting) of pop culture during pandemic purgatory.
The Uruguayan play gets a loud – if uneven – adaptation by SF’s own BATCO.
Stephen Schwartz’s musical fantasia gets a rousing production at the Playhouse.
One of the most beloved shows of all time gets a rousing production at the Berkeley Playhouse.
Electric choreography from the Berkeley Playhouse can’t quite save this revival of the popular musical.
Though the script is over-packed with characters, the combination of great direction, performances, and tech make this another winner for Berkeley Playhouse.
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.
New Conservatory’s world premiere is a touching story about looking at the AIDS crisis a generation after its worst period.
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found.
Bold acting choices, creative set design, and an intriguing-if-uneven script make for an interesting show by Gritty City Rep.