Design of a Decade: ‘Y2K’ by Killing My Lobster
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
Ebony Powers: ‘Manifesto’ at Brava
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
‘Birds of Prey’ is the ‘Deadpool 2’ Redux we Didn’t Need but Still Love
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
This Waking Life: ‘Wakey, Wakey’ at the ACT
ACT kicks off 2020 with Will Eno’s darkly comic one-act (and short) celebrating why the little things matter most.
Sleaze Company: ‘PolySHAMory’ at The Marsh – SF
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
Freezing Our Balls Off: ‘Snowed In’ by Killing My Lobster
An impossible SF snowstorm provides the setting for KML’s latest holiday sketch set.
O Horny Night: ‘The Most Fabulous Story Ever Told’ at LCTC
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.
Comedia y Muerto in The Mission: ‘Death and The Artist’ by BATCO
The Uruguayan play gets a loud – if uneven – adaptation by SF’s own BATCO.
Stupid is as ‘Stuber’ Does
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
‘Fair’ Game: ‘Vanity Fair’ at the ACT
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
The Thinking Man's Idiot (Charles Lewis III) 