One of the most volatile events in US history is the backdrop for an ultimately toothless story at the Aurora.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Though Shotgun pulls off some grand production design, Madeleine George’s script doesn’t successfully tackle the themes it ponders.
Several (though not all) of the problems in this “problem play” are solved in this Af-Am Shakes production.
The classic rapid-fire comedy is inexplicably slowed to a snail’s pace at the SF Playhouse.