Looking back at the two years (and counting) of pop culture during pandemic purgatory.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Tony Kushner’s critically-acclaimed musical gets worthy staging by Ray of Light.
My second-ever viewing of a BAMSF show is fantastic production of the award-winning Off-Broadway musical.
One of the most volatile events in US history is the backdrop for an ultimately toothless story at the Aurora.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Black Panther isn’t “a hero who happens to be Black”. Rather, Black identity is central and crucial to the story of his fantastic first MCU solo film.
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found.
Want to know why Black people don’t trust police? Ask a Black person… like me.