Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
Lucy Thurber’s latest is the sort of ill-thought-out treatise on Affirmative Action you’d expect from Fox News.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Clean living and technological harmony collide in a not-quite-perfect script from Christopher Chen.
A strong director and able cast elevate a clichéd story in this Shotgun show.
A uniquely Asian-American immigrant tale is the focus Crowded Fire’s touching new production.