Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.
Though Shotgun pulls off some grand production design, Madeleine George’s script doesn’t successfully tackle the themes it ponders.