Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Though Garson Kanin’s old play feels fresher than ever, not even Millie Brooks’ winning performance can save SF Playhouse’s stale production.
A languid pace and over-familiarity drag down SF Playhouse’s production of the Broadway musical.