Not even an excellent cast and strong direction can breath life into the DOA script by Branden Jacobs-Jenkins.
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found.
Shakespeare and sexual politics collide in Cal Shakes’ version of one of The Bard’s infamous “problem plays”.
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.
The sexual politics of The Bard’s gender-bending comedy receive an uneven interpretation from Cal Shakes.