Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
FaultLine premiere’s Savannah Reich satire of human progression that’s as subtle as a club to the head.
My second-ever viewing of a BAMSF show is fantastic production of the award-winning Off-Broadway musical.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Bitter Pill Double-Feature: ‘The Effect’ at SF Playhouse and ‘Eureka Day’ world premiere at Aurora Theatre
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show.
Knowing when to forego Shakespeare proves the ultimate winning move in the final show from Breadbox Theatre.
A pretty cast elevates a rather rote story about the complications that come with sex.
Sex is the name of the game in WE Players’ bawdy new take on The Bard’s most famous comedy.
Though the performances are uneven, strong direction and social commentary bolster Cutting Ball’s take on the classic Greek myth.