Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard. Continue reading Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well. Continue reading At the Hour of Our Death: ‘4.48 Psychosis’ at Anton’s Well
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism. Continue reading ‘In Braunau’ is Out of Ideas: World Premiere (Sandbox) production by SF Playhouse
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show. Continue reading Bitter Pill Double-Feature: ‘The Effect’ at SF Playhouse and ‘Eureka Day’ world premiere at Aurora Theatre
Science has nothing to do with this poorly-written May-December rom-com at the ACT. Continue reading The Stupidity Principle: ‘Heisenberg’ at ACT
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre. Continue reading Ladies’ Nights: ‘Revolt. She said…’ at Crowded Fire and ‘Kursk’ at Theatre Lunatico
