Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Before The Curran becomes Hogwarts, it hosts an excellent production of another hit British show.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism.
Bitter Pill Double-Feature: ‘The Effect’ at SF Playhouse and ‘Eureka Day’ world premiere at Aurora Theatre
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show.