If any white celeb owes us an apology, it’s the so-called “prince of pop”.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Through sheer lottery luck, I finally saw that show everyone’s been talking about for 3 1/2 years. Verdict?
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Belated Black History Month Double-Feature: ‘The Last Sermon of Sister Imani’ by TheatreF1rst and ‘Her Portmanteau’ at ACT
In which I catch up with two brand new Bay Area shows based exclusively around Black women.
Barry Jenkins uses James Baldwin’s classic novel to create one of the best films of 2018.
Angie Thomas’ best-selling novel becomes a hypocritical melodrama that exploits BlackLivesMatter.