The mixed bag of this year’s entries range from “excellent” to “horrible” and every shade in-between.
Looking back at the two years (and counting) of pop culture during pandemic purgatory.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
NCTC world premieres an audio solo play about Black pain during the pandemic.
Jennifer Sharp’s Hollywood satire is two interesting films that make up a single uneven film.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
This fascinating hour-long documentary highlights the art (and necessity) of being an independent Black mortician in an increasingly gentrified world.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!