Don’t Steal My Shine: ‘The Light’ online at Shotgun Players
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Ebony Powers: ‘Manifesto’ at Brava
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Salvation at last: ‘Kill Move Paradise’ at Shotgun
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
Happy if She were Nappy: Thoughts on the Greatest X-Man
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
With Attitude: ‘Nigga-Roo’ at The EXIT
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Drowning in White Tears: ‘White’ at Shotgun Players
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Wandering All Over: ‘black odyssey’ at Cal Shakes
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.
Only a Fraction of an Idea: ‘An Octoroon’ at Berkeley Rep
Fine acting and great Berkeley Rep production values can’t save Branden Jabobs-Jenkins’ God-awful script.
Swinging for the ‘Fences’
August Wilson’s Pulitzer-winning classic finally gets the excellent film adaptation it deserves.
In For a Penny: Eyes without a Face
Originally posted on San Francisco Theater Pub:
Charles Lewis III weighs in on some recent controversy. Can you spot the Oscar-winner under all that shoe polish? “In 1985, I’m sitting in the casting office of a major studio. The head of casting said, ‘I couldn’t put you in…
