Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.
Fine acting and great Berkeley Rep production values can’t save Branden Jabobs-Jenkins’ God-awful script.
August Wilson’s Pulitzer-winning classic finally gets the excellent film adaptation it deserves.
Originally posted on San Francisco Theater Pub:
Charles Lewis III weighs in on some recent controversy. Can you spot the Oscar-winner under all that shoe polish? “In 1985, I’m sitting in the casting office of a major studio. The head of casting said, ‘I couldn’t put you in…