My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Mfoniso Udiofia’s multi-play saga takes an oddly supernatural turn in this new chapter by The Magic.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Belated Black History Month Double-Feature: ‘The Last Sermon of Sister Imani’ by TheatreF1rst and ‘Her Portmanteau’ at ACT
In which I catch up with two brand new Bay Area shows based exclusively around Black women.