Will these days Never End?: ‘Summertime’ – 2021 SF Indiefest Centerpiece Film
(Belated by embargo) The centerpiece film of SF Indiefest 2021 is a vibrant poetic love letter to the City of Angels.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Okay, at best: ‘Una Great Movie’ – 2021 SF Indiefest
Jennifer Sharp’s Hollywood satire is two interesting films that make up a single uneven film.
Not Worth the Silver: ‘Judas and the Black Messiah’
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
Too Many Half-Notes: ‘Sylvie’s Love’
Writer-director Eugene Ashe is far too in love with his own style to create any real love between his two leads.
Don’t Steal My Shine: ‘The Light’ online at Shotgun Players
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Belated Praise of Pre-Quarantine Black Romance: ‘The Photograph’
The last film I saw before lockdown was one of the best Black romance films I’ve seen in nearly 20+ years.
Dark Skin Don’t Bruise: ‘Inked Baby’ Bay Area Premiere by Crowded Fire Theater
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
‘Change’ gon’ Come: ‘Caroline, or Change’ at Ray of Light
Tony Kushner’s critically-acclaimed musical gets worthy staging by Ray of Light.
Salvation at last: ‘Kill Move Paradise’ at Shotgun
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
The Thinking Man's Idiot (Charles Lewis III) 