Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
Tony Kushner’s critically-acclaimed musical gets worthy staging by Ray of Light.
Aurora’s new season opens with an emotional new piece that only occasionally feels off.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
Mfoniso Udiofia’s multi-play saga takes an oddly supernatural turn in this new chapter by The Magic.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
In which I catch up with two brand new Bay Area shows based exclusively around Black women.
Ebony Powers: ‘Manifesto’ at Brava
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.