Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
NCTC world premieres an audio solo play about Black pain during the pandemic.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.