(Belated by embargo) The centerpiece film of SF Indiefest 2021 is a vibrant poetic love letter to the City of Angels.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
NCTC world premieres an audio solo play about Black pain during the pandemic.
Everyone involved in this should be ashamed. EVERYONE.
Jennifer Sharp’s Hollywood satire is two interesting films that make up a single uneven film.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
This fascinating hour-long documentary highlights the art (and necessity) of being an independent Black mortician in an increasingly gentrified world.
Not the Steve McQueen film, but the 2011 documentary that first brought the Black British genre to light.