Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
The Lobster’s claws go after holiday rom-coms in their latest hilarious show.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Strong performances carry Breach Once More’s take on David Lindsay-Abaire’s Pulitzer-winning heartbreaker.
Toxic masculinity is taken to task in this SF Playhouse world premiere dramatizing the #GamerGate controversy.
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.
New Conservatory’s world premiere is a touching story about looking at the AIDS crisis a generation after its worst period.