Time Keeps on Drippin’: ‘Time Sensitive’ by Ragged Wing Ensemble
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
With Attitude: ‘Nigga-Roo’ at The EXIT
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
We’re All Screwed: ‘La Ronde’ at Cutting Ball
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Jingle Shells: ‘Lobster, Actually’ by Killing My Lobster
The Lobster’s claws go after holiday rom-coms in their latest hilarious show.
At the Hour of Our Death: ‘4.48 Psychosis’ at Anton’s Well
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Ladies’ Nights: ‘Revolt. She said…’ at Crowded Fire and ‘Kursk’ at Theatre Lunatico
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
The Healing Kind: ‘Rabbit Hole’ at Breach Once More
Strong performances carry Breach Once More’s take on David Lindsay-Abaire’s Pulitzer-winning heartbreaker.
Baldur’s #GamerGate: ‘Non-Player Character’ world premiere by SF Playhouse
Toxic masculinity is taken to task in this SF Playhouse world premiere dramatizing the #GamerGate controversy.
Missed its Stop: ‘A Streetcar Named Desire’ at Ubuntu Theater
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.
Worth the ‘Risk’: ‘Still at Risk’ World Premiere at NCTC
New Conservatory’s world premiere is a touching story about looking at the AIDS crisis a generation after its worst period.
The Thinking Man's Idiot (Charles Lewis III) 