Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
NCTC world premieres an audio solo play about Black pain during the pandemic.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
The last film I saw before lockdown was one of the best Black romance films I’ve seen in nearly 20+ years.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.