Don’t Steal My Shine: ‘The Light’ online at Shotgun Players
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Belated Praise of Pre-Quarantine Black Romance: ‘The Photograph’
The last film I saw before lockdown was one of the best Black romance films I’ve seen in nearly 20+ years.
Belated Black Baseball Play Review: ‘Toni Stone’ West Coast Premiere at ACT
My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
Ebony Powers: ‘Manifesto’ at Brava
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Christmas Movie Round-Up 2019
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Salvation at last: ‘Kill Move Paradise’ at Shotgun
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
Happy if She were Nappy: Thoughts on the Greatest X-Man
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Haunted Hearth: ‘In Old Age’ World Premiere at The Magic
Mfoniso Udiofia’s multi-play saga takes an oddly supernatural turn in this new chapter by The Magic.
With Attitude: ‘Nigga-Roo’ at The EXIT
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Belated Black History Month Double-Feature: ‘The Last Sermon of Sister Imani’ by TheatreF1rst and ‘Her Portmanteau’ at ACT
In which I catch up with two brand new Bay Area shows based exclusively around Black women.
The Thinking Man's Idiot (Charles Lewis III) 