Will these days Never End?: ‘Summertime’ – 2021 SFIFF Centerpiece Film
(Belated by embargo) The centerpiece film of SF Indiefest 2021 is a vibrant poetic love letter to the City of Angels.
‘Eye’ on the Prize: ‘The Bluest Eye’ “audio drama” at Aurora Theatre
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The Newest Old Play: ACT Out Loud – ‘Trouble in Mind’
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
When do we re-start?: ‘Interlude’ World Premiere at NCTC
NCTC world premieres an audio solo play about Black pain during the pandemic.
Okay, at best: ‘Una Great Movie’ – 2021 SF Indiefest
Jennifer Sharp’s Hollywood satire is two interesting films that make up a single uneven film.
Not Worth the Silver: ‘Judas and the Black Messiah’
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
Too Many Half-Notes: ‘Sylvie’s Love’
Writer-director Eugene Ashe is far too in love with his own style to create any real love between his two leads.
Don’t Steal My Shine: ‘The Light’ online at Shotgun Players
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Belated Praise of Pre-Quarantine Black Romance: ‘The Photograph’
The last film I saw before lockdown was one of the best Black romance films I’ve seen in nearly 20+ years.
The Thinking Man's Idiot 