Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well. Continue reading At the Hour of Our Death: ‘4.48 Psychosis’ at Anton’s Well
Science has nothing to do with this poorly-written May-December rom-com at the ACT. Continue reading The Stupidity Principle: ‘Heisenberg’ at ACT
Black Panther isn’t a hero “who happens to be Black,” rather Black identity is central and crucial to the story of his fantastic first MCU solo film. Continue reading I saw ‘Black Panther’ last night and My Life is Better for it (My Non-Spoiler Review)
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found. Continue reading Pillar of Salt: Looking back at the Best and Worst of 2017
Originally posted on San Francisco Theater Pub:
Charles Lewis III, on long term goals and short term contributions. “What is true of creed is no less true of nationality. There is no room in this country for hyphenated Americanism.” – Theodore Roosevelt, Address to the Knights of Columbus (1915) Now that the cat’s outta the bag, I thought about following up Meg, Tonya, & Stuart’s recent entry with my own reminiscence about what the ‘Pub has meant to me and what I think will happen when it’s gone. I’m going to hold off on that for three specific reasons: 1… Continue reading In For A Penny: Accepting New Membership
Two strong leads command the stage in Shotgun’s staging of Adam Peck’s flimsy script. Continue reading Bonnie, Clyde, and (a) Shotgun