Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
The beloved children’s book makes for a creative (if wildly uneven) musical from PigPen.