Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
The Rep hosts the US premiere of this powerful drama about the violent legacy of Japan and North Korea.
Tony Kushner’s critically-acclaimed musical gets worthy staging by Ray of Light.
Aurora’s new season opens with an emotional new piece that only occasionally feels off.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
QDT use Bradbury’s own theatrical adaptation for a show that’s great to look at, but never quite becomes an inferno.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.