The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
A San Francisco tradition celebrates its distinction as the first-ever American production of ‘The Nutcracker’.
An impossible SF snowstorm provides the setting for KML’s latest holiday sketch set.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
The beloved children’s book makes for a creative (if wildly uneven) musical from PigPen.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.