Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
The US may have forgotten its first Chinese immigrant, but her tale is beautifully told by the Magic Theatre.
Asian stereotypes get skewered in this hilarious new show by an all-Asian crew at KML.
Social media “Legacy Profiles” collide with classic ruminations on death in this haunting piece by Yugen & Five on a Match.
Young Jean Lee’s latest is only an hour, but it manages to dismantle a centuries of popular opinions about Christianity.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
An all-Asian cast empowers this hilarious satire of White privilege theatrical dramas. Only one fatal flaws keeps it from perfection.
Bay Area Children’s Theatre scores two wins in its current adaptations: one a goofy comedy, the other a gripping drama.
Fine acting and great Berkeley Rep production values can’t save Branden Jabobs-Jenkins’ God-awful script.