Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
ACT’s latest is a so-so tale of American crass, Chinese refinement, and the universal language of competition.
August Strindberg’s classic tale of male manipulation is still relevant in Aurora’s powerful new production.
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism.
Racist direction combines with a confused (and hypocritical) script in pretty-looking production by Shotgun.