“One good thing about music/When it hits you (You feel no pain)”– Bob Marley & The Wailers, “Trenchtown Rock” One can’t help but think of the SF Playhouse as the quintessential test case for re-opened Bay Area theatre. Although Cal Shakes and We Players have recently returned to […]
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show.
Though Garson Kanin’s old play feels fresher than ever, not even Millie Brooks’ winning performance can save SF Playhouse’s stale production.
A languid pace and over-familiarity drag down SF Playhouse’s production of the Broadway musical.
The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.
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Our family’s journey navigating this thing called colon cancer
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no legacy is so rich as honesty
Healing is not Linear
o ---------- art of Hannah Birch Carl
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Holy Crap, we're moving.
"Theatre for People Who Didn't Know They Liked Theatre"
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Larissa Archer
The Thinking Man's Idiot 