George Bernard Shaw’s classic satire gets an unfortunately sour reading as part of ACT’s new series.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Not even a global pandemic can stop the ACT and SF Ballet from bringing their annual holiday productions to the world.
My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Caryl Churchill’s incendiary piece gets a gripping new production from the ACT.
Knowing when to forego Shakespeare proves the ultimate winning move in the final show from Breadbox Theatre.