ACT don’t quite stick the landing, but their new reading series brought lessons worth learning.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found.
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.
The San Francisco theatre institution marks its return with this stripped-down revival of Samm-Art Williams’ critically-acclaimed play.