Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Electric choreography from the Berkeley Playhouse can’t quite save this revival of the popular musical.
Though the script is over-packed with characters, the combination of great direction, performances, and tech make this another winner for Berkeley Playhouse.
Though Shotgun pulls off some grand production design, Madeleine George’s script doesn’t successfully tackle the themes it ponders.
A pretty cast elevates a rather rote story about the complications that come with sex.