Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
The unapologetic Blackness of this superhero show makes it a must-watch.✊🏿
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found.
Clean living and technological harmony collide in a not-quite-perfect script from Christopher Chen.
Shakespeare and sexual politics collide in Cal Shakes’ version of one of The Bard’s infamous “problem plays”.
Originally posted on San Francisco Theater Pub:
Charles Lewis III, a perspective on perspective. “[W]hat is it that constrains the individual to fear his neighbor, to think and act like a member of a herd, and to have no joy in himself?” – Friedrich Nietzsche, Untimely Meditations I…
Want to know why Black people don’t trust police? Ask a Black person… like me.