If Only that were Enough: Josh Kornbluth’s ‘Citizen Brain’ (virtual) World Premiere by Shotgun Players
Shotgun belatedly opens its new socially-distant season with a well-intentioned-but-slightly-aloof solo show.
Shotgun belatedly opens its new socially-distant season with a well-intentioned-but-slightly-aloof solo show.
My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
Stephen Buel still owes me money for this never-published East Bay Express story.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
My belated look at 2019 puts 2020 into perspective.
SF Ballet’s gorgeous remount ‘Midsummer’ only lasted one night, which somehow seems appropriate.
The Latin trio return to the Berkeley Rep with their latest entertaining document of our country’s kookiest characters.
Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
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Our family’s journey navigating this thing called colon cancer
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