Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
The famous staged reading of the entire ‘Great Gatsby’ is nothing more than a flickering green light.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
ACT kicks off 2020 with Will Eno’s darkly comic one-act (and short) celebrating why the little things matter most.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.