Don’t You think You’re Falling: ‘Gloria’ West Coast Premiere at ACT
Branden Jacobs-Jenkins leans too heavily cliches of “the death (wink, wink) of print” in his latest show at the ACT.
Design of a Decade: ‘Y2K’ by Killing My Lobster
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
How Soon is Now: ‘Born in East Berlin’ World Premiere (Sandbox Series) by SF Playhouse
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Ebony Powers: ‘Manifesto’ at Brava
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
The Pain Ends with Death: ‘The Children’ West Coast premiere at the Aurora
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
‘Birds of Prey’ is the ‘Deadpool 2’ Redux we Didn’t Need but Still Love
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
The ‘Things’ We Say have Meaning: ‘Tiny Beautiful Things’ Bay Area Premiere at SF Playhouse
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
This Waking Life: ‘Wakey, Wakey’ at the ACT
ACT kicks off 2020 with Will Eno’s darkly comic one-act (and short) celebrating why the little things matter most.
Comfortably Numb: ‘Ways to Leave a Body’ world premiere at Cutting Ball
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
My Kingdom for Cliff’s Notes: ‘Gatz’ West Coast premiere at Berkeley Rep
The famous staged reading of the entire ‘Great Gatsby’ is nothing more than a flickering green light.