Branden Jacobs-Jenkins leans too heavily cliches of “the death (wink, wink) of print” in his latest show at the ACT.
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.