Institutional concepts and classical literature are the focus of SF Ballet’s spring time online entry.
George Bernard Shaw’s classic satire gets an unfortunately sour reading as part of ACT’s new series.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The company shot a new segment to round out their delightful production Balanchine’s colorful triptych.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
The blockbuster art exhibit comes to SF with lots of fanfare, but little substance.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
NCTC world premieres an audio solo play about Black pain during the pandemic.
We’re all trapped in a routine, so the SF Ballet presents a trio of shows about breaking out.
Everyone involved in this should be ashamed. EVERYONE.