Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
What begins as an intriguing history lesson on The Bible quickly devolves into melodrama in Berkeley Rep’s latest.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
Stephen Schwartz’s musical fantasia gets a rousing production at the Playhouse.
Mfoniso Udiofia’s multi-play saga takes an oddly supernatural turn in this new chapter by The Magic.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Before The Curran becomes Hogwarts, it hosts an excellent production of another hit British show.