Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
I'm a native San Franciscan (we're being hunted to extinction) who is also an actor, writer, and lots of other stuff. I'll talk about those things along with books, plays, films, videogames, finding a job in one of the most populous cities in the US, and why "Muppet Babies" was the greatest television show of all time (better even than "F Troop").
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
ACT kicks off 2020 with Will Eno’s darkly comic one-act (and short) celebrating why the little things matter most.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
I caught the first-ever show of the DNA Lounge’s new monthly EDM showcase. Not bad at all.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.