Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
I'm a native San Franciscan (we're being hunted to extinction) who is also an actor, writer, and lots of other stuff. I'll talk about those things along with books, plays, films, videogames, finding a job in one of the most populous cities in the US, and why "Muppet Babies" was the greatest television show of all time (better even than "F Troop").
SF Ballet’s second show of their digital season is a hit-and-miss collection of two classics and one new short film.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
This fascinating hour-long documentary highlights the art (and necessity) of being an independent Black mortician in an increasingly gentrified world.
The 23rd annual SF Indiefest opens with a quiet fantasy drama about the line between innovation and loss of humanity.
Mike Cahill’s pretentious “Is this world a simulation?” sci-fi drama wants to be everything, so it becomes nothing.
Not the Steve McQueen film, but the 2011 documentary that first brought the Black British genre to light.
SF Ballet brings back last year’s winning show for a not-quite-perfect online presentation.
Writer-director Eugene Ashe is far too in love with his own style to create any real love between his two leads.
All that Glitters during the Cold: ‘Utopia’ World Premiere at Cutting Ball and ‘Holiday Sauce… PANDEMIC!’
Before Christmas touches town, I look back on two flamboyant shows by Cutting Ball and Taylor Mac.