The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
I'm a native San Franciscan (we're being hunted to extinction) who is also an actor, writer, and lots of other stuff. I'll talk about those things along with books, plays, films, videogames, finding a job in one of the most populous cities in the US, and why "Muppet Babies" was the greatest television show of all time (better even than "F Troop").
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
The Uruguayan play gets a loud – if uneven – adaptation by SF’s own BATCO.
The creators of Teatro ZinZanni pitch a tent in Oakland for their sexy circus show.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Ray of Light stages an appropriately loud and lusty production for their final run of the cult classic.
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.
The US may have forgotten its first Chinese immigrant, but her tale is beautifully told by the Magic Theatre.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.