In which I try to take a break from recent politics to ponder the relationship between US presidents and theatre.
*[2022 Update: If the original link (below) no longer works, the entire piece is available in the attached screenshot.]
Charles Lewis casts his vote from the front row.
“To live means to finesse the processes to which one is subjugated.”
– Bertolt Brecht, On Politics and Society (1941)
I needed a distraction.
It wasn’t just my incessant hunt for a “real people” job, it wasn’t just my putting serious attention towards my Olympians script, it wasn’t just my anger over Alton Sterling and Philando Castile winding up the latest casualties of racist White cops when their only “crime” was being Black in public. It wasn’t just any of those things, it was all of that and more.
I needed something to clear my head yesterday, so my attempt to escape politics lead me to the Playbill site. Incidentally, my eye was caught by a quick mention of Democratic front-runner Hillary Clinton attending her second performance of the now-Pulitzer-and-Tony-winning musical Hamilton
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