The Thinking Man's Idiot

The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.

In For a Penny: The All-Seeing Eye

In which I ponder what a new technology means for the traditional format of theatre.

San Francisco Theater Pub

Charles Lewis III SEES YOU.

Samsung-Galaxy-S4-Drama-Shot copy

“O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!”
– William Shakespeare, Henry V, Act I, Sc. 1

I was originally going to write this post about the similarities between professional sports and theatre – what with baseball season now in full swing, the Warriors kickin’ ass in the play-offs, and Wrestlemania a few weeks back (the latter would have included several nods to my ‘Pub colleague and fellow wrestling fan Anthony Miller). But as I took a peek back at my last entry, in which I pondered on-camera work vs. on-stage work, I found myself stuck on a lot of recent conversations about the two possibly converging in order to survive.

Let me start off by saying something we all know: theatre is…

View original post 1,358 more words

3 comments on “In For a Penny: The All-Seeing Eye

  1. Pingback: My SF Theater Pub writing – The Thinking Man's Idiot

  2. Pingback: And ‘On’ and ‘On’ it Goes: ACT’s ‘A Christmas Carol: On Air’ and SF Ballet’s ‘Nutcracker Online’ | The Thinking Man's Idiot

  3. Pingback: All that Glitters during the Cold: ‘Utopia’ World Premiere at Cutting Ball and ‘Holiday Sauce… PANDEMIC!’ | The Thinking Man's Idiot

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